Kotsu Kotsu

I often play music in "jam" or "session" situations where we play tunes that some people know, others may be trying to pick up by ear. I've noticed that musicians react to the group setting in different ways. Less experienced players often seem to be performing for the other musicians, showing off what they know, playing difficult stuff and playing it fast. They don't notice if anyone else is joining in. More experienced players, while definitely trying to play their best, also work to fit in - for example, they try to make sure they're playing in rhythm with everyone in the room. They'll play quietly at times and leave space so others (especially singers) can be heard. They may play very simply to help others follow, or choose simple tunes so that more people can participate. My first jazz music teacher used to say that music was like a conversation. I see more and more ways that he was right.

My brother Ben lives in a big city that definitely has its dangerous spots. Recently he asked me for some advice on how to stay safe. "I'm going to give you four things," I said. I could see I'd already impressed him by having a ready answer. He knows I’m a martial arts instructor , but that stuff is never real to your own family. At that time there was a subway strike in the city, and everyone was seeking alternate transport. Overground trains and buses were jammed, the roads were packed with private cars, taxicabs, bikes, and the sidewalks were overflowing with hurrying, disgruntled pedestrians. "First," I said, as we jostled along a sidewalk blocked by a huge bus queue, “just improve your posture . Stand up straighter." This caught Ben's attention. I think he figured his sister the black belt would demonstrate some primary aikido move or teach him to stick his keys out between his knuckles. Posture? As self defense? But Ben listened. He ...